Preparing to Die

by Andrew Holecek

Death is one of the most precious experiences in life. It is literally a once-in-a-lifetime opportunity. The karma that brought us into this life is exhausted, leaving a temporar­ily clean slate, and the karma that will propel us into our next life has not yet crystallised. This leaves us in a unique “no-man’s-land,” a netherworld the Tibetans call bardo, where all kinds of possibilities can materialise. At this special time, with the help of skilful friends, we can make rapid spiritual progress and directly influence where we will take rebirth. We can even attain enlightenment.

Buddhist masters proclaim that because of this karmic gap, there are more opportunities for enlightenment in death than in life. Robert Thurman, a translator of The Tibetan Book of the Dead, says, “The time of the between [bardo]… is the best time to attempt consciously to affect the causal process of evolution for the better. Our evolutionary momentum is temporarily fluid during the between, so we can gain or lose a lot of ground during its crises.”

But even for spiritual practitioners, death remains a dreaded event. We dread it because we don’t know much about it. We do not look forward to death because we don’t know what to look forward to. For most of us, death is still the great unknown. It is the ultimate blackout, something to be avoided at all costs. So we have a choice. We can either curse the dark­ness or turn on the light.

Death is not the time for hesitation or confusion. It is the time for confi­dent and compassionate action. Lama Zopa Rinpoche says, “This is when people must do something for the person who has died; this is the most crucial time for the person.” The Tibetan Book of the Dead says, “This is the dividing line where buddhas and sentient beings are separated. It is said of this moment: in an instant, they are separated; in an instant, complete enlightenment.”

The moment of death, like that of birth, is our time of greatest need. The beginning and the end of life are characterised by vulnerability, bewil­derment, and rich opportunity. In both cases, we are stepping into new territory — the world of the living or the world of the dead. The person who is dying, and his or her caretakers, have an opportunity to create the conditions that will make the best of this priceless event.

Tibetan Buddhism is not the only Buddhist tradition that teaches the bardos, but it offers the most complete set of instructions for the bardos. The central orienting view in the Tibetan world is that of the three death bardos: the painful bardo of dying, the luminous bardo of dharmata, and the karmic bardo of becoming. The painful bardo of dying begins with the onset of a disease or condition that ends in death. In the case of sudden death, this bardo occurs in a flash. It is called “painful” because it hurts to let go. The luminous bardo of dharmata begins at the end of the bardo of dying. For most of us, it passes by unrecog­nised. Dharmata means “suchness” and refers to the nature of reality, the enlightened state. It is fantastically brilliant, hence “luminous.” It is so bright that it blinds us and we faint. We then wake up dazed in the karmic bardo of becom­ing. Suchness is gone, and confusion re-arises as karma returns to blow us into our next life.

While the Tibetan Buddhist tradition offers many helpful guidelines, they are not meant to restrict the sacred experience of death. The map is never the territory. Even though death and rebirth are described in extraordinary detail by the Tibetans, dying is never as tidy as the writ­ten word. It is important for the dying, and their caregivers, to study and prepare. But prepara­tion only goes so far. Fixating on the idea of a “good death” can paradoxically prevent one. If we think that our death will follow a prescribed order and that perfect preparation leads to a perfect death, we will constrict the wonder of a mysterious process.

Surrender is more important than control. A good death is defined by a complete openness to whatever arises. So don’t measure your death against any other, and don’t feel you have to die a certain way. Let your life, and your death, be your own. There are certain things in life that we just do our own way.

The vast literature about conscious dying is therefore both a blessing and a curse. At a certain point, we have to leap into death with a beginner’s mind and a spirit of adventure. Visions of the perfect death create expectations, a model that we feel we have to match. If experience doesn’t match expectation, we might panic: “This isn’t how it’s supposed to be.” “I didn’t plan on it ending this way.” Death is about letting go. That includes letting go of any expectations. The dan­ger in learning too much about death is that we end up pre-packaging the experience, forcing real­ity into the straightjacket of our concepts.

The best approach is that of the middle way. Learn as much as you can. Study, practice, and prepare. Then drop everything and let this natu­ral process occur naturally. Throw away the map and fearlessly enter the territory. It’s like prepar­ing for a big trip. We want to pack properly, review our checklists, and ensure that we have enough money and gas. But when the trip starts, we just enjoy it. We don’t worry about doing it perfectly. Some of our greatest travel adventures happen when we take a wrong turn or get lost. Having thoroughly prepared, we relax in know­ing we have everything we need.

Practices to Prepare You for Death

SHAMATHA MEDITATION

Two central themes are repeated throughout The Tibetan Book of the Dead. The first theme is “Do not be distracted.” This relates to shamatha, calm abiding meditation, which is the ability to rest your mind on whatever is happening. The stability gained through shamatha enables you to face any experience with confidence. In life, and especially in death, distraction is a big deal. The French philosopher Blaise Pascal wrote, “Distraction is the only thing that consoles us for our miseries, and yet it is itself the greatest of our miseries.” Shamatha removes the misery.

Shamatha is a fundamental form of mindfulness meditation. Mindfulness is a powerful preparation because as mindfulness matures into its more advanced levels, it does not disintegrate at death. If we cultivate proficiency in this one practice alone, it will act as a spiritual lifeline that we can hold on to during the bardos, and that will guide us through their perilous straits.

One of the best preparations for death is learning to accept it and to be fully present for it. Being fully present is the essence of mindfulness, which is developed through shamatha. Because death isn’t comfortable, it’s difficult to be with. As Woody Allen said, “I’m not afraid of death, I just don’t want to be there when it happens.” Most of us aren’t there for our deaths and there­fore make it more difficult. To get a feel for this, recall how hard it is to be fully present when you’re sick. Most of us just want out.

Even for an advanced practitioner, it can hurt when the life force separates from the body. Resistance to this hurt, to death, or to any unwanted event is what creates suffering. We can prepare to embrace the discomfort of death by embracing every moment with mindfulness now. Replace opposition with equanimity. As Dzogchen Ponlop Rinpoche says, when we are a dying person, we should be a dying person fully. Don’t try to be a living person when living is not what’s happening.

Mindfulness is initially cultivated by practic­ing shamatha with form or referential shamatha. This type of shamatha uses the reference of the body, the breath, or an object to steady the mind. The idea is to use a stable form — while we still have one — as a way to stabilise the mind. When physical stability disappears at death, mental sta­bility becomes our primary refuge.

When we die, the anchor of the body is cut away and the mind is set free. If we’re not pre­pared for this freedom, we may panic. Imagine being tossed out of a rocket into outer space. The ensuing freak-out impels us to grasp at any­thing that can re-establish a sense of ground. Like catching ourselves just before taking a bad spill on a patch of ice, we reflexively reach out to grab on to anything that keeps us from falling. This grasping reflex can spur us to take on an unfortu­nate form — and therefore an unfortunate rebirth.

The fruition of shamatha is the ability to rest your mind on any object for as long as you wish and to do so without distraction. Wherever you plop your awareness it stays there, like a bean bag hitting the ground.

Shamatha with form develops into formless shamatha. This is the ability to rest your mind on whatever arises, not just a specified form. You take off the training wheels and ride smoothly on top of anything.

Formless, or non-referential, shamatha is important because when the body drops away at death, we no longer have any stable forms upon which to place our mindfulness. There’s noth­ing steady to refer to. At this groundless point, instead of mentally thrashing about trying to find a form to grasp, formless shamatha allows us to rest on any experience without being swept away. It’s not a problem if we don’t have a body to come back to. We simply place our minds on whatever is happening and gain stability from that. Formless shamatha is a lifesaver that keeps us from drown­ing in a bewildering ocean of experience.

The simplicity of mindfulness belies its profundity. It is the gateway to immortality. The philosopher Ludwig Wittgenstein said, “If by eternity is understood not endless temporal dura­tion but timelessness, then he lives eternally who lives in the present.”

Chögyam Trungpa Rinpoche and Padmasambhava agree. They taught the four ways to relate to the experience of time, emphasising the fourth moment. The first three moments relate to the conventional experiences of past, present, and future. The fourth moment is timeless and there­fore immortal. It’s beyond the first three. The fourth moment is the immediate experience of the bardo of dharmata, which transcends time and space. We don’t have to die to experience the deathless dharmata. It lies quietly between each thought — not just between each life.

Even though it transcends the first three moments, the only way to enter the fourth moment is through the inlet of the present. Nowness, in other words, is the funnel into eternity. B.K.S. Iyengar, the modern yoga mas­ter, says, “The yogi learns to forget the past and takes no thought for the morrow. He lives in the eternal present.”

If you can’t see this in the gap between your thoughts, you can get a feel for it when you’re immersed in an activity. If you’re one hundred percent present, whether it’s playing with your kids, being at a great concert, or engrossed in work, time seems to stand still. You may come out of such an experience, look at the clock, and be startled by how much time has flown by.

This is a concordant experience of the fourth moment — the entry into the realm where time, and therefore you, disappear.

These magical states, akin to what psychologists call the state of “flow” and athletes refer to as the “zone,” don’t have to be accidental. The zone of the fourth moment can be cultivated by training the mind to be present. In this regard, as Zen teacher Baker Roshi puts it, mindfulness makes you “accident prone.” The more you practice mindfulness, the more you stumble into the zone. Those who achieve shamatha can rest their minds in meditative absorption, or samadhi, and taste immortality. They have tripped into the deathless zone of total presence.

Despite the complexity of the bardos, the meditations that prepare us for them don’t need to be complex. Simplicity and relaxation are two key instructions for the bardos. Don’t underesti­mate the power of mindfulness. The Indian mas­ter Naropa said, “Since the consciousness [in the bardo] has no support, it is difficult to stabilise mindful intention. But if one can maintain mind­fulness, traversing the path will be trouble-free. Meditating for one session in that intermediate state may be liberating.”

VIPASHYANA MEDITATION

The second main theme in The Tibetan Book of the Dead is that “recognition and liberation are simultaneous.” This relates to vipashyana, the practice of insight meditation. Shamatha pacifies the mind; vipashyana allows us to see it. By seeing our mind more clearly, we’re able to recognise how it works. This helps us relate to it skilfully. In the bardos we’re “forced” to relate to our mind, simply because there’s nothing else. Outer world is gone, body is gone, so mind becomes reality. Through insight meditation we discover that whatever arises in the bardos is just the dis­play of our mind. That recognition sets us free.

Just as recognising that we’re dreaming while still in a dream (lucid dreaming) frees us from the suffering of the dream, recognising that we’re in the bardos frees us from the suffering of the bar­dos. Before we became lucid, the dream tossed us to and fro like Styrofoam bobbing on turbulent waters. But once we wake up to the dream — while still being in it — the tables are suddenly turned. We now have complete control over an experience that just controlled us. Whether in dream or death, this level of recognition and ensuing liberation is cultivated with vipashyana, or “clear seeing.”

Instead of taking the terrifying visions of the bardo to be real and getting caught in the result­ing nightmare, we can wake up in the bardos. We do this by recognising all the appearances to be the display of our own mind. This recognition is exercised in meditation. The meditation instruc­tion is to label whatever distracts us as “think­ing.” For example, a thought pops up of needing to buy some milk. We mentally say, “thinking,” which is recognising that we have strayed, then return to our meditation. Our clear seeing melts the distracting thought on contact. Labelling and liberation are simultaneous.

Unrecognised thought is the daytime equivalent of falling asleep. Each discursive thought is a mini-day dream. Drifting into mindless thinking is how we end up sleepwalking through life — and therefore death. Saying “thinking ” in our medi­tation is therefore the same as saying, “Wake up!” We wake up and come back to reality — not to our dreamy visions (thoughts) about it. If we can wake up during the day and be mindful, we will be able to wake up in the bardo after we die. This is what it means to become a buddha, an “awakened one.” And this is the fruition of shamatha-vipashyana.

Earlier we said that in the bardos, mind (thought) becomes reality. What do you come back to if there is only mind? You come back to just that recognition. As in a lucid dream, you realise that whatever arises is merely the play of your mind. This allows you to witness whatever appears without being carried away by it. Since you no longer have a body, or any other material object to take refuge in, you take refuge in rec­ognition (awareness) itself. From that awakened perspective, it doesn’t matter what happens. It’s all just the display of the mind.

TONGLEN

Tonglen, which is the practice of taking in the suffering of others and giving out the goodness within ourselves, is a strong preparation for death. It is especially powerful for a dying per­son to practice and for others to do when some­one has died. The rugged quality of this practice can match the toughness of death. The more I’m around death, the more I find myself taking ref­uge in tonglen.

The reason we suffer during life, or death, is because we are selfish. When we think small, every little irritation gets big. Conversely, when we think big, difficulties get small. Tonglen is about thinking and feeling big. To think big, we should first reflect upon our good fortune. We have the precious dharma to guide us through the bardos, and we have the potential to transform death into enlightenment. We are incredibly fortunate to die held by the teachings of the Buddha, the awak­ened one who transcended death.

Now think about the millions who are dying without being held. Imagine all those who are dying alone, under violent conditions or with­out physical or spiritual refuge. We can reduce our anguish by putting our death in perspec­tive. Tonglen instils that perspective and brings greater meaning to our death.

If you take a teaspoon of salt and put it into a shot glass of water, the water is powerfully affected. It gets super salty. If you take the same amount of salt and put it into Lake Michigan, it has virtually no effect. Tonglen transforms our mind from a shot glass into Lake Michigan. On every level, suffering is the result of the mind’s inability to accommodate its experience. Lama Zopa Rinpoche says:

Try to die with this motivation. If you die with this bodhichitta thought, your death becomes a cause of your enlightenment and a cause for the enlightenment of all sentient beings. Live your life with this precious thought . . . . As you get closer to death, you should think, “I’m experiencing death on behalf of all sen­tient beings.” Try to die with this thought. In this way, you are dying for others. Dying with the thought of others is the best way to die.

— from Wholesome Fear, by Lama Zopa Rinpoche and Kathleen McDonald

 

The Indian sage Shantideva said, “If you want to be miserable, think only of yourself. If you want to be happy [even in death], think only of others.” Tonglen is therefore a way to practice the good heart of bodhichitta. When asked what practice he would do during death, Trungpa Rinpoche once replied, “Tonglen.”

REVERSE MEDITATIONS

Tonglen is part of a family of practices we could call “reverse meditations.” They are called reverse because with these practices we do things that are the opposite of what we usually associ­ate with meditation. Reverse meditations expand our sense of meditation and prepare us for death. They are based on the tenet that if you can bring unwanted experience into the sanctuary of sanity provided by meditation, you can transform that obstacle into opportunity. This approach applies to life and especially to death. If you can bring death onto the path, you can flip it into enlight­enment. The most unwanted experience trans­forms into the most coveted experience. Tonglen is a classic reverse meditation because it takes in the darkness of others and sends out our light. This is the reverse of how ego operates.

Pain meditation is a reverse meditation that prepares us for the painful bardo of dying. In addition to the emotional pain of letting go, there is often physical pain associated with disease. To prepare for this pain, we voluntarily bring it into our experience now, on our terms.

Reverse meditations are done within the con­text of shamatha meditation. This provides the crucible for establishing a proper relationship to the unwanted experience. For the pain medita­tion, after doing shamatha for a few minutes you can bite your lip or tongue, or dig your fingernail into your thumb, and explore the sensation. Go into the pain. What is pain? What is it made of? What happens if I dissolve into it? Reverse medi­tations are not pleasant. But neither is death. Do them for short sessions, and remember that mas­ochism is not the point.

While the pain may not disappear, the suffer­ing does. Pain meditation helps us erase what Trungpa Rinpoche called “negative negativity,” which is the resistance to the pain. Negative negativity is like being shot with two arrows. The first arrow hurts you physically. If you can stay with that pain and relate to it directly, it will still hurt, but not as much as when you bring in your storylines. The second arrow is the mental commentary that transforms simple pain into complex suffering.

By becoming one with the pain, there is no one to hurt. And the character of the pain changes. This practice radically alters our relationship to discomfort. It reverses it. The next time you get a headache, turn that pain into meditation. Watch the pain transform before your eyes.

Reverse meditations require diligence. We would rather sit in tranquillity than plunge into pain. But to establish a healthy relationship to unwanted experiences, we have to spend time with them. It’s always easier to do so on our own terms. We may think we’ll be able to relate to pain or death just by having read about it, but that attitude is seldom realised when we actually hurt or die.

Dzogchen Ponlop Rinpoche says:

It is very difficult to transform an experience of intense suffering if we have no basis for work­ing with pain to begin with. Therefore, it is ini­tially necessary to work with minor pains and illnesses and discover how we can bring these to the path. Then, as more severe sicknesses come to us, we are able to bring those to the path as well. Eventually, we become capable of bringing even the most debilitat­ing conditions to the path.… If you become accustomed to looking at the experience of pain — if that looking is genuine and you can rest your mind in the pure sensation — then you will see a difference in how you experience the pain.… When a greater sickness strikes us, we will not be hit by it in the same way. It will not be such a problem or a shock. We can face even the pain and suffering of dying with greater confidence because we are facing familiar territory instead of the unknown. When the actual moment of death arrives, we will be able to look at that pain and transform it.

— from Mind Beyond Death, by Dzogchen Ponlop Rinpoche

Having done this pain meditation for years, I now relate very differently to the sting of an insect bite or a stubbed toe. Instead of my knee-jerk aversion to pain, it almost becomes spiritual. My throb­bing toe reminds me to meditate, which alters the intensity of the pain. I’m begin­ning to bring pain onto my path.

Another reverse meditation is to cre­ate as many thoughts as possible. Instead of calming your mind down, whip it up. Again, start with shamatha, then make your mind as stormy as possible. Think of yesterday, think of tomorrow, visual­ise Paris, New York, or the pyramids. Do so as quickly as you can. Now is your chance to do what you always wanted to do on the meditation cushion: go hog wild mentally. This is particularly helpful for the karmic bardo of becoming, where the gales of karma rearise and blow us into our next life. By becoming familiar with those winds now, we’ll be able to sail in stormy seas later.

Notice that you can sit quietly in the centre of this voluntary cyclone and not be moved by it. You’re practising how to hold your seat in the midst of men­tal chaos. Don’t buy into the thoughts and emotions. Just watch the upheaval. This practice expands the sense of sha­matha because even though your mind is howling, you’re able to maintain inner peace. As the sage Sri Nisargadatta Maharaj said, “It is disinterestedness that liberates.”

Do the meditation for a minute. Rest in shamatha, then do it again. Because reverse meditations are intense, short sessions prevent resentment. Don’t underestimate the power of short medi­tations. Dzogchen Ponlop Rinpoche says, “We usually view anything small as unimportant and not really worth doing. For example, if we only have five min­utes to meditate, we tell ourselves, ‘Oh, five minutes is nothing. It is not enough to change my life. I need to practice for at least an hour.’” But with meditation, short is sweet. It’s like running. You don’t start with a marathon. You start with short runs and work your way up. Short sessions repeated frequently are just as effective as longer sessions done infrequently, if not more so. And when it comes to mixing meditation and post-meditation, which is how to transform your life into meditation, short frequent sessions reign supreme.

Another meditation is to place your­self in a loud and overly stimulating envi­ronment, then work on staying centred. Flip on the television, crank up the ste­reo, turn on the alarm clock, and sit with the cacophony. Go to a loud and crazy place and meditate. If you have kids, this environment is already part of your life. One of Tulku Urgyen Rinpoche’s sons once complained to him about how hard it is to meditate in Kathmandu because of all the noise and distraction. Rinpoche said to him, “If you can’t practice under these conditions, how will you ever prac­tice in the bardo?”

As with all reverse meditations, find the silence in the noise, the stillness in the motion. Even if you never do these meditations, just knowing about them helps you reverse your relationship to unwanted experiences. The next time you’re in a crazy environment, like a subway station or Times Square, you might remember these instructions and transform the mayhem into meditation.

I frequently travel to India, a land of intense chaos. Instead of getting irritated when the flies, heat, noise, beggars, and pollution assaults me, I try to relax into the pandemonium. I reverse my usual defensive approach to these unpleasant situations and bring them onto my path. There are times when I just can’t do it and run away. But even then, I remember the spirit of these strange meditations and try to convert my automatic aversion.

All the reverse meditations culminate in equanimity, which is the ability to relate to whatever arises without bias. At the highest stages of the path, one no longer has any preference for chaos or calm, samsara or nirvana. Everything is experi­enced evenly. Pleasant experiences are not cultivated; unpleasant ones are not shunned.

As we have seen, distraction is one of the biggest prob­lems in life and death. Therefore, one of the most important instructions is “do not be distracted.” The reverse medita­tions are a formidable way to end distraction because they bring distraction onto the path. They show us how to reverse our relationship to distraction. Instead of feeling that our meditation is constantly being interrupted — by a thought, a noise, or even life itself — the reverse meditations bring these interruptions into our practice. They become our practice. Khenpo Tsultrim Gyamtso Rinpoche said that if you’re in retreat and hear a noise that makes you angry, it’s a sign that you’re unable to bring distraction onto your path.

Since fear is common in the bardos, Khenpo Rinpoche recommends watching horror movies as a way to work with it. This is a potent reverse meditation for all the bardos, but especially for the bardo of becoming. Because we don’t rec­ognise the appearances of this bardo to be projections of our mind, the farther we go into it the more terrifying it becomes. The fear becomes so piercing that it can force us to grasp an unfortunate rebirth just to escape the intensity of our own minds. Establishing a relationship to fear now helps us relate to it then and can prevent such a birth.

I find this reverse meditation really challenging. The films are wretched, violent, and extremely difficult to watch. I usu­ally have to look away, or pause the movie, to bring any sense of meditation to it. My normal response is tremendous revul­sion. But as contrived and almost silly as this practice appears, it does evoke a host of nasty feelings. It allows me to become familiar with the shadowy side of my being, a dark side that comes to light in the bardo of becoming. Horror movies give me the opportunity to befriend horrible feelings I would oth­erwise never encounter.

A key instruction in life or death is to join whatever we experience with meditation. But without actually practising this, it’s hard to do. An unwanted experience arises, habitual patterns immediately kick in, and we run from the experience or relate to it poorly. The reverse meditations allow us to replace these bad habits with good ones. When difficult situ­ations arise, wisdom kicks in instead of confusion.